Karikatur dalam Koran Online Al-Riyadh (Kajian Semiotika)

Authors

  • Retty Rizkyaningtyas UIN Sunan Gunung Djati
  • Wildan Taufiq UIN Sunan Gunung Djati
  • Ahmad AD Qonit UIN Sunan Gunung Djati

DOI:

https://doi.org/10.15575/hijai.v1i1.3173

Abstract

ABSTRACT

The purpose of this research is to know the meaning behind the sign of index, icon, and symbol, and also the criticism of social on caricature in online newspaper Al-Riyadh. The approach used is semiotics Charles Sanders Pierce. Descriptive analytical methods used in this research. The result research found the sign of icon as pilgrims mean obedience, index as people bite finger mean sadness and symbol as ashoobiu’ an nadam mean regret. Whereas the criticism of social on caricature are politics, technology and morality.

Keywords: Caricature, icon, index, symbol, criticism of social.

 

ملخص البحث

أغرض هذا البحث هي معرÙØ© المعانى وراء علامة الإيقونية والتأشيرية والرمزية. وكذلك لمعرÙØ© النقد الاجتماعي ÙÙŠ الكاريكاتير ÙÙŠ جريدة الرياض بالمدخل السيميائية تشارلز ساندر بيرس  . والمنهج ÙÙŠ هذا البحث هو منهج الوصÙÙŠ التحليلي. ونتائج هذا البحث، وجدت الباحثة العلامات ÙÙŠ الكريكاتير ÙÙŠ جريدة الرياض، بنظر إلى ثلاث علامات: (1) الإيقونية مثل الحجاج بمعنى طاعة (2) التأشيرية مثل الشخص يعض الصابع بمعنى حسرة(3) الرمزية مثل أصابع الندم بمعنى خيبة الأمل. والنقد الاجتماعي ÙÙŠ الكريكاتير وهي السياسية والتكنولوجيا والأخلاقية.

الكلمة الرئيسية: الكريكاتير، الإيقونية، التأشيرية، الرمزية، النقد الإجتماعي.

 

ABSTRAK

Tujuan penelitian ini adalah untuk mengetahui makna-makna dibalik tanda indeks, ikon dan simbol serta kritik sosial yang terdapat pada karikatur dalam koran online Al-Riyadh. Pendekatan yang digunakan dalam penelitian ini yaitu pendekatan semiotika Charles Sanders Pierce. Adapun metode penelitian yang digunakan adalah metode deskriptif analitik. Hasil penelitian yang ditemukan yaitu tanda ikon seperti jemaah haji bermakna ketaatan, tanda indeks orang gigit jari bermakna kesedihan dan tanda simbol seperti ashoobiu’ an nadam bermakna. Penyesalan. Sedangkan kritik sosial yang terdapat pada karikatur tersebut yaitu politik, teknologi, dan moral.

Keywords: Karikatur, ikon, indeks, simbol, kritik sosial.

References

Djuroto, Totok. (2004) Manajemen Penerbitan Pers. Bandung: Remaja Rosdakarya.

Hoed, Benny H. (2011). Semiotik dan Dinamika Sosial Budaya. Jakarta: Komunitas Bambu.

Kaelan. (2009). Filsafat Bahasa Semiotika dan Hermeneutika. Yogyakarta: Paradigma.

Shadliy, Hassan. (1983). Sosiologi Untuk Masyarakat Indonesia. Jakarta: Bina Aksara.

Sobur, Alex. (2003) Semiotika Komunikasi. Bandung: Remaja Rosdakarya.

Soekanto, Soejono. (2012) Sosiologi Suatu Pengantar. Jakarta: Rajagrafindo Persada.

Taufik, Wildan. (2015). Semiotika Untuk Kajian Sastra Arab dan Al-Qur’an (Buku Daras). Bandung: Pusat Penelitian dan Penerbitan Lembaga Penelitian dan Pengabdian kepada Masyarakat UIN Sunan Gunung Djati.

Taufik, Wildan. (2016). Semiotika untuk Kajian Sastra dan Al-Qur’an. Bandung: Yrama Widya.

Vera, Nawiroh. (2014). Semiotika dalam Riset Komunikasi. Bogor: Ghalia Indonesia.

Sumber elektronik:

Diakses dari mirajnews.com/2016/09/konflik-iran-saudi-gagalkan-warga-iranberhaji-tahun-ini.html/amp. pada tanggal 29 September 2016.

Diakses dari www.arriyadiyah.com, pada tanggal 20 Desember 2016.

Diakses dari www.republika.co.id, pada tanggal 20 Desember 2016.

https://en.m.wikipedia.org/wiki/Al_Riyadh_(newspaper).

www.alriyadh.com.

www.kompas.com.

Downloads

Published

2018-07-01

Issue

Vol. 1 No. 1 (2018)

Section

Articles

License

Please find the rights and licenses in Hijai - Journal on Arabic Language and Literature. By submitting the article/manuscript of the article, the author(s) agree with this policy. No specific document sign-off is required.

1. License

The non-commercial use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. 

2. Author(s)' Warranties

The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).

3. User/Public Rights

Hijai's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Hijai permits users to copy, distribute, display, and perform the work for non-commercial purposes only. Users will also need to attribute authors and Hijai on distributing works in the journal and other media of publications. Unless otherwise stated, the authors are public entities as soon as their articles got published. 

4. Rights of Authors

Authors retain all their rights to the published works, such as (but not limited to) the following rights;

  • Copyright and other proprietary rights relating to the article, such as patent rights,
  • The right to use the substance of the article in own future works, including lectures and books,
  • The right to reproduce the article for own purposes,
  • The right to self-archive the article,
  • The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal (Hijai).

5. Co-Authorship

If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Hijai will not be held liable for anything that may arise due to the author(s) internal dispute. Hijai will only communicate with the corresponding author.

6. Royalties

Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Hijai entitles the author(s) to no royalties or other fees. 

7. Miscellaneous

Hijai will publish the article (or have it published) in the journal if the article’s editorial process is successfully completed. Hijai's editors may modify the article to a style of punctuation, spelling, capitalization, referencing and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers as mentioned in point 3.