Spiritualitas Musik Hazrat Inayat Khan Dalam Perspektif Estetika Pada Pandangan Seniman Teater Awal Bandung
DOI:
https://doi.org/10.15575/jpiu.14300Keywords:
Aesthetics, Harmony, Love, Spirituality, Teater Awal BandungAbstract
This study aims to determine the spirituality of Hazrat Inayat Khan's music from an aesthetic perspective, as well as the views of the artists of Teater Awal Bandung towards it. This research method uses a qualitative approach with library research sources plus field observations through interviews with the artists of the Teater Awal Bandung related to Hazrat Inayat Khan's thoughts on music. The results of the study found that the spiritual and aesthetic dimensions of Hazrat Inayat Khan's music are related to each other even though they are not identical. The source of beauty comes from God who moves humans through a fundamental element called love. The artists of the Teater Awal Bandung agreed that every universe and everything in it is a harmony that has a tone and gives birth to beautiful music, music is also able to give peace of mind and become a means of meditation for humans to know God.
References
Alim Vosteen. (2021). Inayat Khan 1909 Records 15 Indian Songs Part 2 with text SufiLab. Https://Www.Youtube.Com/Watch?V=vbF8YEyQNE8&t=1212s.
Bahasan dan Pengertian Estetika. (n.d.).
Hazrat Inayat Khan. (2000). Dimensi Spiritual Psikologi (1st ed.). Pustaka Hidayah.
Hazrat Inayat Khan. (2002a). Dimensi Mistik, Musik, dan Bunyi (Sabrur.R.s (Ed.); 1st ed.). Pustaka Sufi.
Hazrat Inayat Khan. (2002b). Kehidupan Spiritual (Tiga Esai Klasik tentang Kehidupan Ruhani) (Sbrur R.S (Ed.); 1st ed.). Pustaka Sufi.
Hazrat Inayat Khan. (2002c). The Heart Of Sufism (M. Pers (Ed.); 1st ed.). Rosdakarya.
Hazrat Inayat Khan terjemah: Mihlar, M. (2018). Cinta Manusia dan Cinta Ilahi. 278–281. https://doi.org/10.1007/978-94-024-1267-3_2060
Immanuel Kant. (2005). Kritik Atas Rasio Praktis (Kamdani (Ed.); 1st ed.). Pustaka Pelajar.
K Bertens. (1999). Sejarah Filsafat Yunani (19th ed.). KANISIUS.
Kemal, A. (2010). Dimensi Musik Dalam Islam.
Lorens Bagus. (2005). Kamus Filsafat (4th ed.). Gramedia.
Martin Heidegger. (2002). Dialektika Kesadaran Pesrpektif Hegel (1st ed.). IKON.
Nasir, A. (2016). Hubungan Tasawuf dengan Musik Spiritual (aS-Sama’): Meneropong Kedalaman Sejarah, sebagai Fenomena Mistisisme Spiritual. Esoterik: Jurnal Akhlak Dan Tasawuf, 2(2), 527–546.
Ninla Elmawati Falabiba. (2019a). Biografi dan Karya Hazrat Inayat Khan. 14–18.
Ninla Elmawati Falabiba. (2019b). Konsep Musik Terapi Menurut Hazrat Inayat Khan. 61–85.
Saputri, S. (2021). Filsafat Seni Dan Estetika Menurut Hazrat Inayat Khan.
Studi, P., Dan, A., & Islam, F. (2020). Konsep Jiwa dalam Pemikiran Hazrat Disusun oleh : Khozin.
Sunarto, S. (2016). Estetika Musik: Autonomis versus Heteronomis dan Konteks Sejarah Musik. Promusika, 4(2), 102–116. https://doi.org/10.24821/promusika.v4i2.2278
Wati, M. (2019). Jurnal Filsafat dan Pemikiran Islam: Refleksi. Refleksi: Jurnal Filsafat Dan Pemikiran Islam, 19(1), 165–175.
Yulianti, R. T. (2016). Pengaruh Musik Bagi Pencapaian Spiritual. Millah, III(2), 326–329. https://doi.org/10.20885/millah.voliii.iss2.art12
Wawancara dengan Asep Dindin Dimyati. Tanggal 12 September 202, Colt Coffee, Jl. Jati No.26, RT03/RW06, Kelurahan Pasir Biru, Kecamatan Cibiru, Kota Bandung, Jawa Barat.
Wawancara dengan Ilyas Noerwansyah dan Dien Saefuddaulah. Tanggal 13 September 2021, Sanggar sementara Teater Awal Bandung, Kampung Jati, Gg. PLN No.33, RT03/RW06, Pasir Biru, Kecamatan Cibiru, Kota Bandung, Jawa Barat.
Wawancara dengan Jamaludin Husein dan Dwi Rahmat Nur Iman. Tanggal 13 September, kosan Mabes, Kampung Jati, No. 42, RT02/RW06, Kelurahan Pasir Biru, Kecamatan Cibiru, Kota Bandung, Jawa Barat.
Downloads
Published
Issue
Section
License
Authors who publish in Jurnal Penelitian Ilmu Ushuluddin agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under an Attribution-ShareAlike 4.0 International (CC BY-SA 4.0) License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
