SASTRA SEBELAH: PERLAKUKAN FILM SEBAGAI FILM!

Authors

  • Yoga Sudarisman Dosen Luar Biasa Desain Komunikasi Visual ‘Teori Film’ Universitas Telkom

DOI:

https://doi.org/10.15575/al-tsaqafa.v13i02.1975

Keywords:

prosa, sisi semantik dan naratif, Film, Pesan.

Abstract

Akademisi sastra kadang banyak yang melihat film dengan sebelah mata. Maksud saya, perlakukan film layaknya film. Memang seperti halnya puisi, film disampaikan melalui pesan simbolis, majasi atau bahasa figuratif lainnya. Seperti halnya drama, film disampaikan melalui bahasa visual dan verbal. Seperti prosa, film juga sarat dengan elemen naratif. Namun tidak seperti genre sastra tersebut, film memiliki bahasa yang khas, yakni bahasa visual. Selain elemen naratif dan figuratif, film memiliki elemen sinematik atau bahasa visual yang menjadikannya perlu diperlakukan lebih dari pada genre sastra tertulis lainnya. Pada penelitian ini, Peneliti akan menyelisik keterkaitan naratif dan sinematik dalam film Sebelah (2011) karya Reza Rahadian melalui pendekatan tekstual dan genre. Bagaimana sisi naratif dan sisi sinematik secara bersama-sama mampu  menyampaikan sebuah pesan dan membentuk tema genre

References

Boggs, Joseph M. and Dennis W. Petrie. The Art of Watching Films. New York: McGraw-Hill, 2008.

Cawelti, John. G. "The Concept of Formula in the Study of Popular Literature." Popular Culture. Production and Consumption (2001): 203-209.

McKee, Alan. Textual Analysis: A Beginner's Guide. London: SAGE Publications Ltd., 2003.

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Published

2016-07-18

Issue

Vol. 13 No. 02 (2016): Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam

Section

Articles

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    3. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).