MANUSCRIPT DECORATIONS: ILLUMINATIONS AND ILLUSTRATIONS ON SOME EXISTING MANUSCRIPTS IN KERINCI
DOI:
https://doi.org/10.15575/al-tsaqafa.v20i2.27665Keywords:
hiasan, naskah, iluminasi, ilustrasi, Kerinci.Abstract
ABSTRACT
This research is presented to examine the decoration contained in the manuscripts in Kerinci, because it is seen from the problem that in the development of civilization and the tradition of writing manuscripts it is common to change the form of illumination and illustration in manuscripts due to various factors which are the result of human creativity. For the method that the author uses in this research is using a qualitative method with a codicological approach, whose primary source focuses on several Kerinci manuscripts that have been digitized. Then for other sources this research is assisted by references such as books, articles, and other sources related to this study. The result of this paper is knowledge and description of the decoration on the manuscript in the form of illumination and illustration on several manuscripts found in the Kerinci region in the form of manuscript decoration and explanation of the meaning of the contents of the manuscript.
Keywords: Decoration, Script, Illumination, Illustration, Kerinci.Â
ABSTRAK
Penelitian ini dihadirkan untuk menelisik hiasan yang terdapat pada naskah yang ada di Kerinci, dikarenakan dilihat dari persoalan bahwa dalam perkembangan peradaban dan tradisi penulisan naskah lumrah terjadi perubahan bentuk iluminasi maupun ilustrasi pada naskah karena disebabkan oleh berbagai faktor yang merupakan hasil dari kreativitas manusia. Untuk metode yang penulis gunakan dalam penelitian ini yaitu memakai metode kualitatif dengan pendekatan kodikologi, yang sumber primernya berfokus kepada beberapa naskah-naskah Kerinci yang sudah digitalisasi. Kemudian untuk sumber-sumber lainnya penelitian ini dibantu oleh referensi seperti buku, artikel, dan sumber lainnya yang berkaitan dengan kajian ini. Adapun hasil dari tulisan ini adalah pengetahuan dan deskripsi tentang hiasan pada naskah berupa iluminasi dan ilustrasi pada beberapa naskah yang terdapat di wilayah Kerinci yang berupa hiasan naskah dan penjelasan dari makna isi naskah.
Kata Kunci:Â Hiasan, Naskah, Iluminasi, Ilustrasi, Kerinci.
References
Abdullah, M., Thohir, M., Muzakka, M., & Rukiyah. (2019). Pengantar Filologi.
Abdussamad, Z. (2021). Metode Penelitian Kualitatif. Syakir Media Press.
Amin, F. (2011). Preservasi Naskah Klasik. Jurnal Khatulistiwa-Journal Of Islamic Studies, 1(1), 91.
Anggito, A., & Setiawan, J. (2018). Metodologi Penelitian Kualitatif. CV Jejak.
Azizah, F. P. (2023). Illumination on the Bamboo Manuscript “Karang Mindu†Collection of Bakhtiar Hanif Kerinci. Journal Of Fhilology And Historical Review, 1(1), 21.
Ekowati, V. I. (2017). Filologi Jawa Panduan Lengkap Praktik Penelitian Filologi. UNY Press.
Fathurahman, O. (2015). Filologi Indonesia Teori dan Metode. KENCANA (Divisi dari Prenamedia Group).
Galop, A. T., & Arps, B. (1991). Golden Letters : Writing Traditions of Indonesia= Surat Emas : Budaya Tulis di Indonesia. Yayasan Lontar.
Lubis, N. (1996). Teks dan metode Penelitian. UIN Syarif Hidayatullah Jakarta.
Maharsi, I. (2013). Tipografi (Tiap Fout Memiliki Nyawa dan Arti). CAPS (Center For Academic Publishing Service).
Maharsi, I. (2016). Ilustrasi. Badan Penerbit ISI.
Mubarat, H. (2015). Aksara Incung Kerinci Sebagai Sumber Ide Penciptaan Seni Kriya. Eksperesi:Jurnal Ilmu Pengetahuan Dan Karya Seni, 17(2), 166.
Mulyadi, S. W. R. (1994). Kodikologi Melayu di Indonesia. Fakultas Sastra Universitas Indonesia.
Mustafa, A. H., & Zpalanzani, N. H. (2011). Iluminasi Sebagai Sistem Penyajian Konten Cetak (Studi Kasus Iluminasi Injil Abad Ke-15). Wimba: Jurnal Komunikasi Visual, 3(1), 30.
Nopriani, R. R. (2020). Konservasi Naskah Manuskrip Sebagai Upaya Menjaga Warisan Budaya Bangsa di Era Industri 4.0. JUPITER, XVII(1), 21.
Putri, N., Herwandi, & Lindayanti. (2019). Motif dan Makna Simbolis Batik Incung Kerinci: perspektif Sejarah Motifs and Symbolic Meaning of Incung Batik Kerinci: Historical Perspective. SNIKB, 3.
Rokhmansyah, A. (2018). Teori Filologi. Istana Agency.
Shieny. (2020). Konsep Desain dan Ilustrasi. Universitas Ciputra.
Syarif, J. S. E. B. (2021). Pengantar Studi Seni Rupa. Grup Penerbitan CV Budi Utama.
Tim Ditjenbud. (2000). Strategi Pembinaan dan Pengembangan Kebudayaan Indonesia. Direktorat Jenderal Kebudayaan.
Downloads
Published
Issue
Section
License
PROPOSED CREATIVE COMMONS COPYRIGHT NOTICES
1. PROPOSED POLICY FOR JOURNALS THAT OFFER OPEN ACCESS
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
2. PROPOSED POLICY FOR JOURNALS THAT OFFER DELAYED OPEN ACCESS
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication, with the work [SPECIFY PERIOD OF TIME] after publication simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).