IDEOLOGI ORANG BIASA: NILAI-NILAI KULTURAL MASYARAKAT PANTURA JAWA BARAT DALAM SENI DAN LAGU TARLING
DOI:
https://doi.org/10.15575/al-tsaqafa.v16i2.5762Keywords:
Tarling, Pantura Jawa Barat, Ideologi, Identitas, Sosiologi Sastra, Struktur Homologis.Abstract
Penelitian ini tentang tradisi dan narasi Seni Tarling yang berkembang di wilayah pesisir pantai utara (pantura) Jawa Barat, khususnya daerah Subang, Indramayu, dan Cirebon. Penelitian ini bertujuan untuk mengetahui sejarah Tarling dari awal sampai perkembangannya hari ini, bagaimana pertunjukan Tarling, narasi-narasi lagu Tarling dalam kaitannya dengan konteks sosiologis-antropologis masyarakat Pantura, serta nilai-nilai kultural yang diusung dalam Seni Tarling secara keseluruhan. Pada gilirannya, aspek yang disebut terakhir, yaitu nilai-nilai kultural, akan dikaitkan secara interdisiplin dengan menggunakan teori ilmiah Sosiologi Sastra untuk menemukan ideologi dan identitas masyarakat Pantura. Pengaitan ini adalah satu keniscayaan karena struktur-struktur yang dibangun dalam seni/kesenian—dalam hal ini Seni Tarling—berikut struktur kebahasaan-kesastraan (tuturan, nada, metafora, dan simbol) yang tercermin dalam narasi lagunya memiliki unsur homologis (kesamaan struktur) dengan struktur masyarakat yang membangunnya. Dalam konteks sosiologi seni/sastra, bangunan (struktur) karya seni adalah ‘fakta kemanusiaan’ sebagi wujud artefak budaya yang dihasilkan dari aktivitas manusia, baik dalam hubungannya dengan dirinya sendiri maupun dengan orang lain. Sedangkan masyarakat yang membangun karya seni itu adalah ‘subyek kolektif’, yaitu realitas trans-individual yang menjadi latar belakang hadirnya fakta kemanusiaan tersebut, karena fakta-fakta seperti itu juga tidak akan pernah merupakan hasil aktivitas subyek individual, melainkan subyek kolektif sebagai realitas hubungan antar manusia dalam segala aspek kehidupannya. Melalui proses teorisasi struktur di atas, sosiologi sastra kemudian menghadirkan sebuah pengkajian “homologis.
Kata Kunci: Tarling, Pantura, identitas, sosiologi sastra, struktur homologis
References
Kasim, S. (2015). Sugra: perintis seni tarling dan maestro-maestro budaya lainnya. Yogyakarta, Indonesia: FramePublishing.
Goldmann, L. (1975). The genetic structuralist method in the history of literature: towards a sociology of the novel trans. Alan Sheridan. London, United Kingdom: Tavistock Publication.
Richard L. W. Clarke, Notes 5
Homi, B. K. (2000). Nation and narration. United States and Canada: Routledge
Rosidi, A. (2000). Ikhtisar sastra Indonesia. Bandung, Indonesia: Putra A. Bardin
Gie, T. L. (1996). Estetika Filsafat Keindahan. Yogyakarta, Indonesia: Pusat Belajar Ilmu Berguna (PBIB).
Abrams, M. H. (1999). A glosary of literary terms. Boston & Massachusset, United States: Heile & Heinle.
Alexander, M. (2000). A history of English literature. London, United Kingdom: Macmillan Press Ltd.
Eagleton, T. (1996). Literary theory: an introduction. 2nd ed. United Kingdom, Oxford: Blackwell.
Eagleton, T. (2011). Why marx was right. New. London, United Kingdom: Yale University Press.
Heryanto, A. (1985). Perdebatan sastra kontekstual. Jakarta, Indonesia: CV. Rajawali.
Klarer, M. (2004). An introduction to literary studies. London, United Kingdom: Routledge.
Galens, D. (2001). Nonfiction classics for students: presenting analysis, context, and criticism on nonfiction works. Thomason, E., editor. Detroit, United States: Gale Group.
Womack, Todd, Davis, F., & Kenneth. (2002).Formalist Criticism and Reader-Response Theory. New York, United States: Palgrave.
Contextual. Retrieved from: http://www.etymonline.com/index.php?allowed_in_frame=0&search=contextual&sea rchmode=none
Downloads
Additional Files
Published
Issue
Section
License
PROPOSED CREATIVE COMMONS COPYRIGHT NOTICES
1. PROPOSED POLICY FOR JOURNALS THAT OFFER OPEN ACCESS
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
2. PROPOSED POLICY FOR JOURNALS THAT OFFER DELAYED OPEN ACCESS
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication, with the work [SPECIFY PERIOD OF TIME] after publication simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).