Sejarah Seni Mahkota Tokoh-tokoh Wayang Golek di Jelekong Tahun 1990-2000 (Pendekatan Arkeologis)
DOI:
https://doi.org/10.15575/priangan.v2i2.32688Abstrak
Â
Abstract
Wayang Golek is one of the performing arts that is in great demand by the public. There are so many arts that accompany wayang golek, starting from music art to the art of puppet carvings that are made, including in the crown which is quite complicated. The method used in this study is the historical research method. This research was conducted with several steps: topic selection, source collection (heuristics), internal and external criticism (verification), analysis and interpretation (interpretation), and presentation in written form (historiography). The art of the golek puppet crown has a very interesting history and is certainly inseparable from some of the rules that have been made by previous craftsmen. By time to time, the art of the golek puppet crown has increasingly developed carried out by puppeteers.
Â
Keyword: archaeology, crown, Wayang Golek
Â
Abstrak
Wayang Golek merupakan salah satu dari seni pertunjukan pagelaran yang sangat diminati masyarakat. Banyak sekali seni yang menyertai wayang golek dimulai dari seni musik sampai seni ukiran wayang yang dibuat termasuk di bagian mahkota yang terbilang cukup rumit. Metode yang digunakan dalam penelitian ini adalah metode penelitian sejarah. Penelitian ini dilakukan dengan beberapa tahapan: pemilihan topik, pengumpulan sumber (heuristik), kritik intern dan ekstern (verifikasi), analisis dan interpretasi (penafsiran), serta terakhir penyajian dalam bentuk tulisan (historiografi). Seni mahkota wayang golek memiliki sejarah yang sangat menarik dan tentunya tidak terlepas dari beberapa aturan yang telah dibuat oleh pengrajin-pengrajin terdahulu. Dari masa ke masa, seni mahkota wayang golek semakin berkembang yang mana dilakukan oleh para dalang.
Â
Kata kunci: Arkeologi, Makhota, Wayang Golek
Referensi
Buku Teks
Buurman, Peter. (1991). Wayang Golek: The Entrancing World of Classical West Javanese Puppet Theatre. Oxford University Press.
M Dien Majid, Johan Wahyudin. (2014). Ilmu Sejara: Sebuah Pengantar. Depok: Prenadamedia Group.
Kuntowijoyo. (2013). Pengantar Ilmu Sejarah. Yogyaakrta: Tiara Wacana.
Revol, Patrick. (2021). Pengaruh Musik Indonesia pada Musik Prancis Abad ke-20. Jakarta: KPG (Kepustakaan Populer Gramedia).
Sulasman. (2014). Metodologi Penelitian Sejarah: Teori, Medote, Contoh Aplikasi. Bandung: Puskata Setia.
Wasino, Endah Sri Hartatik. (2018). Metode Penelitian Sejarah. Yogyakarta: Magnum Puskata Utama.
Lisan
Awan Kartanda Suanda Ade Kosasih. Seni Mahkota Wayang Golek. Wawancara Pribadi. Bandung, 28 November 2022.
Opick Sunandar Sunarya. Perkembangan Giri Harja, danJjuga Sistem Pengajaran di Giri Harja. Wawancara pribadi. Bandung: 19 November 2022.
Internet
M. Hardi, Sejarah Wayang Kulit di Indonesia, Harus Terus Dilestarikan, 2022. https://www.gramedia.com/best-seller/sejarah-wayang-kulit/#:~:text=Lalu%20dari%20penelitian%20R%20Pichel,percampuran%20budaya%20Jawa%20dan%20India.
Wisatajabar.com. Profil Abah Sunarya di Lingkung Seni Giri Harja di Jelekong, Kab. Bandung. 23 Oktober 2017. https://www.wisatajabar.com/2017/10/profil-abah-sunarya-dan-lingkung-seni.html
Benda
Beberapa wayang golek dengan berbagai ukiran baik dari elacau, Cibiru, maupun Bogor. Parongpong. Koleksi dari Opick Suandar Sunarya.
Unduhan
Diterbitkan
Terbitan
Bagian
Citation Check
Lisensi
Hak Cipta (c) 2023 Priangan: Journal of Islamic Sundanese Culture
Artikel ini berlisensiCreative Commons Attribution-ShareAlike 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
