Revitalizing the Spirit of the People'S Cultural Institute: Art as a Medium for Social and Political Activism of Students on Campus

Abstract

This study explores the enduring legacy and contemporary relevance of cultural activism initiated by the People's Cultural Institute (Lekra), established in Indonesia during the politically dynamic post-independence era. Lekra pioneered the integration of socialist realism into artistic practice, systematically utilizing arts and culture as instruments for socio-political critique, consciousness-raising, and mobilization of marginalized communities. Recognizing growing political apathy among contemporary university students, this research examines the strategic adaptation of Lekra's principles by SRD (Unit Kegiatan Mahasiswa Seni Rupa dan Desain) at UIN Sunan Gunung Djati Bandung. Employing a qualitative descriptive approach, the research analyzes primary archival sources from Lekra's historical documentation (1950–1965), alongside in-depth interviews with current SRD leaders and historical cultural activists. The findings demonstrate how SRD successfully revitalizes Lekra’s activist legacy through structured cadre formation, ideological education, and socially engaged collective artistic projects. SRD’s cultural activism offers a credible and engaging alternative to traditional student political structures characterized by pragmatism and disengagement. By emphasizing realism, collective artistic expression, and disciplined ideological clarity, SRD effectively bridges historical and contemporary socio-political realities, stimulating renewed political consciousness among students. Ultimately, this study argues that structured cultural activism, rooted in Lekra’s historical methodology and principles, remains critically relevant and strategically significant for overcoming student apathy, revitalizing democratic participation, and fostering long-term socio-political transformation within contemporary Indonesian university campuses.