Aesthetic The Grand Mosque of Cimahi


Yusup Mulyana(1*), Rezza Fauzi Muhammad Fahmi(2)

(1) Indonesian University of Education, Indonesia
(2) Padjadjaran University, Indonesia
(*) Corresponding Author

Abstract


The Grand Mosque of Cimahi is the Cimahi city government mosque which is located in West Bandung Regency, West Java Province. The Grand Mosque of Cimahi has its own characteristics and uniqueness, this can be seen from the aesthetic value found in the interior aspects. Aesthetic values are analyzed with a semiotic review which is the focus of this research. The research process is carried out with field research and library research. Field research is carried out by directly visiting the research object. Library research was conducted to find and use sources from books, journal articles, and the writing of relevant scientific papers. The purpose of this research is to identify the visual elements, values, meaning, and aesthetics of The Grand Mosque of Cimahi. The method used in this research is the qualitative method. Observative steps are adjusted to related sources, and data contained in the research object can be described and analyzed. The importance of this is examined because The Grand Mosque of Cimahi is one of the historical pieces of evidence, then the mosque's unique interior form is due to its aesthetic and semiotic values. The results of this study that The Grand Mosque of Cimahi has an aesthetic of the interior filled with meaning.


Keywords


Aesthetic; Interior; Semiotic; The Grand Mosque of Cimahi.

Full Text:

PDF

References


Adityaningrum, Dewi., Setyaningsih, W. and A. M. (2019). Spatial Patterns of the Royal Mosque in Surakarta. Senthong Journal, 2(2).

Adityaningrum, D., & Pitana, Titis Srimuda Setyaningsih, W. (2020). Arsitektur Jawa pada Wujud Bentuk dan Ruang Masjid Agung Surakarta. Sinektika: Jurnal Arsitektur, 17(1).

Anggito, A., & Setiawan, J. (2018). Metodologi Penelitian Kualitatif. CV Jejak (Jejak Publisher).

Askarizad, R., He, J., & Ardejani, R. S. (2022). Semiology of Art and Mysticism in Persian Architecture According to Rumi’s Mystical Opinions (Case Study: Sheikh Lotf-Allah Mosque, Iran). Religions, 13(11), 1059.

Dorno, J. (2014). The Shape and Symbolic Meaning of Carved Ornaments on the Interior of the Gedhe Mosque in Yogyakarta. Universitas Negeri Yogyakarta.

Fauzi, F., Munir, M., & Mustansyir, R. (2021). Makna Simbolik Estetika dan Kajian Filsafat Seni Susanne K. Langer pada Arsitektur Lima Masjid Pathok Negoro Yogyakarta. Universitas Gadjah Mada.

Fikriarini Muchlis, A. (2009). Mosque Forms of Manifestation of Art and Culture. El Harakah Journal, 11(1).

Ghozali Shafi’i, A. (2017). Color in Islam. An-Nida Journal, 41(1).

Khitam, C. H. (2019). Studi Tentang Estetika Interior Masjid Nurul Iman Kalitan Di Surakarta. ISI Surakarta.

Nofrianto, Y. (2019). Kajian Estetika Motif Ukiran Masjid Tuo Kurang Aso 60 di Nagari Pasir Talang Kabupaten Solok Selatan. Serupa: The Journal of Art Education, 7(3).

Nurjanah, A., Fatimah, A. N., & Marwati. (2019). Semiotika Arsitektur pada Fasad Bangunan Masjid Al-Markaz Al-Islami Makassar. Jurnal Timpalaja, 1(1).

Riogilang, H., Budhyowati, M. Y. ., Sumampouw, M. J., & Sumilat, T. N. E. (2015). Application of Geometric Shapes to Building Architecture. Jurnal Teknika, 15(1).

Yunianti, E. (2018). Kajian Estetika Ornamen pada Elemen Masjid Agung Surakarta dalam Konteks Budaya. Indonesian Journal of Conservation, 7(1).




DOI: https://doi.org/10.15575/jra.v3i1.23516

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Yusup Mulyana

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

  Moraref