Vol 1, No 1 (2022)

Saksama

DOI: https://doi.org/10.15575/sksm.v1i1

Table of Contents

Articles

MANIFESTATION OF ROMANTICISM IDEOLOGY IN LEILA S. CHUDORI'S PULANG
Yuani Nurdwi Kaesari
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1 - 6
IRONY AS REPRESENTATION OF RACIAL SEGREGATION IN AUGUST WILSON’S “FENCES”
Ihya Aditya Fahmi Maarif, Andang Saehu, Lili Awaludin
PDF
7 - 19
THE STRUGGLE OF MUTANT HUMAN AS A GROTESQUE CHARACTERS IN FUTURAMA (1999)
Lutfi Fachrulrozi, Dian Nurrachman, Bunyamin Faisal Syarifudin
PDF
20 - 30
REPRESENTATION OF HARD-BOILED DETECTIVE FORMULA IN THE BATMAN (2022) BY MATT REEVES
Jidan Mustopa, Yoga Sudarisman
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31 - 50
SOCIAL DRAMATURGY ROLES PERFORMANCE IN BATMAN THE DARK KNIGHT RISES 2012 BY CHRISTOPHER NOLAN
Asyraf Sulaeman, Sape'i Sape'i
PDF
51 - 73
THE ADAPTATION OF RICK RIORDAN’S PERCY JACKSON AND THE OLYMPIANS: THE SEA OF MONSTERS NOVEL INTO FILM
Muhammad Ghifari Rizki Pratama, Hasbi Assiddiqi
PDF
74 - 81
EMBRACING THE ABSURD CONDITION OF EXISTENCE IN SAMUEL BECKETT’S ENDGAME CHARACTERS
Restu Dwi Gilang Permana, Dewi Kustanti
PDF
82 - 90
SOCIAL INJUSTICE PRINCIPLES IN JENNY BICKS’S MOVIE SCRIPT THE GREATEST SHOWMAN ON EARTH 2015
Nabila Fitria Fazrin, Ruminda Ruminda
PDF
91 - 99


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