DOI: https://doi.org/10.15575/hijai.v8i1

Published: 2025-07-01

NATIONALISM IN BITHAQAH HAWIYYAH’s POETRY BY MAHMUD DARWISY: RIFFATTERE SEMIOTIC STUDY

1-16

DOI: https://doi.org/10.15575/hijai.v8i1.44277

PERCEPTIONS AND UNDERSTANDING OF STUDENTS OF SEMARANG STATE UNIVERSITY ON THE LATIN-ARABIC TRANSLITERATION GUIDELINES.

17-26

DOI: https://doi.org/10.15575/hijai.v8i1.45179

الظاهرة العنصرية على المرأة في فيلم "المرشحة المثالية" (دراسة أدبية نسوية)

27-41

DOI: https://doi.org/10.15575/hijai.v8i1.40934

MAKNA SABAR DALAM AL-QUR’AN (KAJIAN SEMIOTIKA CHARLES SANDERS PEIRCE)

(KAJIAN SEMIOTIKA CHARLES SANDERS PEIRCE)

42-55

DOI: https://doi.org/10.15575/hijai.v8i1.47342

THE CONTRASTS OF LIFE AND MEANING IN THE THIBĀQ FIGURATIVE LANGUAGE OF IMAM AL-SYAFI‘I’S POETRY: A STYLISTIC STUDY

KONTRAS KEHIDUPAN DAN MAKNA DALAM GAYA BAHASA THIBĀQ SYAIR IMAM SYAFI’I: KAJIAN STILISTIKA

56-70

DOI: https://doi.org/10.15575/hijai.v8i1.47775

ANALISIS PENERJEMAHAN LAFADZ MUSYTARAK LAFDZI DALAM FILM AHMAD BIN HANBAL BERDASARKAN TEORI KODE PESAN ROMAN JACOBSON

71-91

DOI: https://doi.org/10.15575/hijai.v8i1.41133

CODE MIXING AND CODE SWITCHING (AN ANALYSIS OF SEHAND AZHAR'S INSTAGRAM CONTENT)

92-101

DOI: https://doi.org/10.15575/hijai.v8i1.40614